Apocalypse Z:The Beginning of the End

Manel (Francisco Ortiz) has become something of a recluse since the death of his wife and lives alone with his cat Lúculo.

As a vicious infection that makes people rabid (think 28 Days Later) spreads worldwide Manel waits at home to see what happens until it is too late and just misses the last flights off the mainland to Gran Canaria, which remains safe.

Not trusting the quarantine camps, on the advice of his sister whose husband is at the military base on Gran Canaria, he defies the evacuation order and stays home.

No good will come of this

CW: usual bloody zombie stuff

Alice, Darling

Alice (Anna Kendrick) finds herself drifting away from her friends Tess (Kaniehtiio Horn) and Sophie (Wunmi Mosaku) as she tries to please her demanding boyfriend Simon (Charlie Carrick).

When Sophie plans a girls' trip away for Tess' birthday Alice decides to pretend it's a work trip to avoid conflict.

CW: abusive relationship, implied rape

Old

Guy (Gael García Bernal) and Prisca (Vicky Krieps) travel to an upmarket beach resort with their kids, surprised at what a deal this trip was.

The pair may be about to divorce and Prisca has had a health scare, things are uncertain and they want the kids to "make some memories".

Once they are settled in, the hotel manager offers them a trip to a private beach.

No good will come of this.

CW: body horror

Azrael

After The Rapture some of the Left Behind live in a state of religious ecstasy/piety in a ramshackle camp in the forest. They have mutilated themselves, removing their vocal cords so they cannot speak lest they utter sin. Outside, the forest is haunted by burned things that might once have been human and now thirst for blood and flesh.

A young woman (Samara Weaving) and her lover (Nathan Stewart-Jarrett) attempt to flee the community.

No good will come of this.

CW: bloody violence, bloody weird

Boy Kills World

Boy (Bill Skarsgård) has been trained from childhood by The Shaman (Yayan Ruhian) to kill Hilda Van Der Koy (Famke Janssen) head of the oligarch family that rules the totalitarian tropical city state that the pair live on the fringes of with an iron fist.

Every year is "The Culling" where enemies of the Van Der Koy family are rounded up and killed. It was this that left Boy an orphan. He has vivid memories of his sister Mina (Quinn Copeland) who he interacts with like an "invisible friend".

Boy is deaf-mute and we hear his inner monologue and conversation with Mina in the 'awesome' voice (H. Jon Benjamin) he remembers from the video game "Super Dragon Punch Force 3".

One day while selling their produce in the city he witnesses the beginning of another culling cycle.

No good will come of this.

CW: ultraviolence, body parts everwhere and all the big swears

Emilia Pérez

Mexico City: Lawyer Rita Mora Castro (Zoe Saldaña) is part of the team that wins a high profile but morally questionable case. Feeling underappreciated and trapped she agrees to meet with a mysterious caller. She should have listened to her misgivings: she is kidnapped and spirited away.

Eventually finding herself sat opposite Juan "Manitas" Del Monte (Karla Sofía Gascón) the kingpin of a drug cartel, the "bastard above all bastards" he offers her a job. Manitas wishes to disappear and be completely reinvented. It's left unsaid what will happen if she says no. On the bright side the work will make her very rich.

Rita works diligently at this and is rewarded handsomely for it, but then years later the pair cross paths again.

No good will come of this.

Ravenous

Mid 19th Century: Capt. Boyd (Guy Pearce) is sent to Fort Spencer in the Sierra Nevada mountains. It's winter with little of the Westward expansion happening that justifies its existence. Rostered by a crew of misfits Boyd is instructed to settle in for a comfy, if boring season.

Out of the night comes F.W. Colqhoun (Robert Carlyle), a Scottish immigrant with a dread tale of cannibalism amongst travellers lost in the mountains not that far away.

The Fort's First Nation scout warns of The Wendigo: what a man who has eaten human flesh becomes but nonetheless an expedition to the caves is organised.

No good will come of this.

CW: cannibalism

Trap

Embarrassing dad Cooper (Josh Hartnett) has secured excellent tickets for his daughter Riley's (Ariel Donoghue) idol Lady Raven (Saleka Night Shyamalan) in concert. For the teenager this is an earthshattering event: think Taylor Swift comes to town.

Noticing absurd levels of security, he gets chatting to one of the merch vendors who confides in him that the FBI have somehow deduced that the bloody serial killer "The Butcher" will be at the concert. The FBI will be questioning every male who matches the description as they leave. Not as ridiculous a task as it sounds when almost the entire audience is teenage girls.

No good will come of this: Cooper is "The Butcher"

Subservience

When Maggie (Madeline Zima) becomes gravely ill and is hospitalised her husband Nick (Michele Morrone) struggles to look after their two kids and hold down his job. Humanoid assistance robots are increasingly widespread and when he visits the showroom, daughter Isla (Matilda Firth) picks out Alice (Megan Fox).

No good will come of this.

CW: Objectification of women

Collateral

LA night shift taxi driver Max (Jamie Foxx) picks up Vincent (Tom Cruise) who says he's in town meeting with people to conduct some business and offers a reasonable bonus if Max will just drive him from place to place for the night. Reluctantly Max agrees.

No good will come of this.

The Substance

Elisabeth Sparkle (Demi Moore) is movie star famed for her beauty but now working TV doing aerobic workout & motivational slots on breakfast TV. On her 50th birthday she finds out that her show is to be cancelled and in somewhat of a daze gets into a serious car accident on the way home.

Unexpectedly she comes out of it completely physically unscathed but after she breaks down on the examination table one of the doctors secretly slips her promotional material for The Substance which promises to make a better, younger, version of yourself.

In a tailspin, Elisabeth succumbs to temptation, orders and administers The Substance and gives rise, messily on the bathroom floor, to Sue (Margaret Qualley). The Substance did not overpromise and underdeliver: Sue is perfect. Now the two must 'timeshare' life seven days as one, seven days as the other. There are strict procedures to follow.

No good will come of this.

CW: full frontal nudity, body horror ago-go-go, mutation, objectification of women (but subverting that's the whole point)

Dune: Part II

Following the events of Part I, Paul Atreides (Timothée Chalamet) and Lady Jessica (Rebecca Ferguson) have escaped into the desert after the Harkonnen attack and met up with the Fremen. Generations of propaganda by the Bene Gesserit have prepared for this moment, or at least a version of it, and Stilgar (Javier Bardem) thinks Paul may be the prophesied Lisan Al-Gaib.

While Paul learns to become a Fedaykin fighter and woos Chani (Zendaya), Lady Jessica uses all her skills as a Bene Gesserit to ensure the prophecy comes to pass.

No good will come of this.

Blink Twice

Frida (Naomi Ackie) and Jess (Alia Shawkat) are housemates who work as waitresses in the high end function catering side of hospitality. They're both skint and Frida does nail art as well to make ends meet.

That night is an event for Slater King (Channing Tatum), billionaire CEO recently returned after a leave of absence for therapy after scandalous behaviour.

The pair gatecrash the after-party and Rita catches Slater's eye. He invites them both to join his friends on his private island.

No good will come of this.

CW: rape, misogyny, bloody violent mayhem

Sea Fever

PhD marine biology researcher Siobhán (Hermione Corfield) boards a traditional wooden fishing trawler to do some practical field work even though she's more accustomed to lab based statistical analysis.

The crew are a superstitious lot and when they spot she's a redhead almost turn back and put her ashore.

Some time into the outward leg they strike something large which they get entangled with and as Siobhán has said she wishes to do a dive they send her down to see what it is.

No good will come of this.

CW: injury detail, body horror, suicide

The Game

Nicholas 'Nicky' Van Orton (Michael Douglas) is an astonishingly wealthy investment banker and market maker whose influence shapes business. He lives a life focused entirely on work with his every need attended to but as he eats alone at home on the eve of his 48th birthday, the same age his similarly wealthy father committed suicide, his thoughts turn melancholic.

The following day at lunch with his dissolute and mildly estranged brother Conrad (Sean Penn) the younger man offers him a 'voucher' for an experience with Consumer Recreation Services that promises to "give him what he lacks".

Feeling unusually curious Nicky visits CRS and grudgingly takes the battery of psychological tests they use to tailor the experience.

No good will come of this.

CW: suicide

Significant Other

Ruth (Maika Monroe) and Harry (Jake Lacy) go on a hiking weekend in the woods of the Pacific Northwest. She's anxious about it but he tries to put her at ease.

Secretly Harry intends to propose at a beautiful overlook.

No good will come of this.

CW: some gore

Immaculate

Sister Cecilia (Sydney Sweeney), a young American novice, travels to Italy to join a convent there at the invitation of Fr. Tedeschi (Álvaro Morte) when declining attendance in her home Diocese closes her current posting.

Initially she struggles with the language barrier, hard work and tutelage under strict English Sister Isabella (Giulia Heathfield Di Renzi) but eventually makes a friend in Gwen (Benedetta Porcaroli) and finds her place.

Then suddenly and impossibly Sister Cecilia falls pregnant.

No good will come of this.

CW: jump scares, body horror, birth, violence, creepy Catholicism

Love Lies Bleeding

1989: Lou (Kristen Stewart) runs a gym in a large desert town in New Mexico for her father Lou Sr. (Ed Harris) despite the two being estranged and barely talking. Lou is abrasive and hates the customers but she has good reason: it's a shit job. She has an occasional hookup with the irritatingly clingy Daisy (Anna Baryshnikov) but seemingly no friends apart from her sister.

Into town breezes Jackie (Katy O'Brian), skint and hitchhiking her way to Las Vegas for a bodybuilding competition. They immediately spark. By way of flirting Lou offers Jackie steroids from the gym stash.

No good will come of this.

CW: violence, injury detail and lots of sweaty flesh

Alien vs. Predator

When one of the Weyland Corporation's satellites detects anomalous heat under the ice in Antarctica that hints at a large buried structure they hastily assemble a team of experts to investigate.

Alexa Woods (Sanaa Lathan) is drafted in for her survival experience on the continent as Mr Weyland himself (Lance Henriksen) plans to go along.

No good will come of this.

Predator 2

1990something: it's the middle of a heatwave and drug gang turf war violence is spiralling out of control.

Lt. Mike Harrigan (Danny Glover) finds himself being squeezed out of the process by DEA agent Keyes (Gary Busey) but with some of the strange goings on where heavily armed gangs are being wiped out by an unseen faction suspects Keyes isn't really DEA and investigates unofficially.

No good will come of this.

CW: some 80s language, stereotypes, attitudes and scenes you wouldn't do now but it doesn't centre on

Longlegs

1990something Lee Harker (Maika Monroe) is a junior FBI agent who gets labelled "unusually intuitive": they won't use the term psychic but she definitely did some deduction that's hard to explain.

Her supervisor Agent Carter (Blair Underwood) assigns Lee a case which has slightly uncanny elements. There are a series of murder/suicides where they think the perpetrators were persuaded to commit the acts by an unknown person. Who then somehow left cryptic notes at the scene signed "Longlegs" with no other evidence of being involved or present at all.

No good will come of this.

CW: bloody violence, injury detail

Runaway

It is 199x and robots have replaced lots of manual labour in all manner of sectors. They tend the fields, work construction, cook our meals and babysit our children. Nonetheless sometimes they malfunction and go "runaway", usually in pretty harmless ways.

Sergeant Jack R. Ramsay (Tom Selleck) and his new partner Officer Karen Thompson (Cynthia Rhodes) work the Runaway squad, seen as a pretty oddball dept. perhaps akin to animal control.

Then one day a standard housemaid unit goes berserk, killing two and putting a child at risk. Ramsay deals with it but uncovers a conspiracy to turn harmless robots into killers.

CW: 80s cop movie bullshit like making Kirstie Allie strip off in a scanner because she's got tracking bugs planted on her, lots of 'woman in peril' shots

Predator

CIA agent Dillon (Carl Weathers) calls in old buddy Dutch (Arnold Schwarzenegger) and his paramilitary rescue team of badasses to assist with finding somebody downed in a helicopter crash in the jungle outside US jurisdiction who is now believed captured by guerilla fighters. This has to be an off the books mission for political reasons.

When they track down the hostages the men realise Dillon hasn't been entirely honest and they're not the first unit sent in. The real trouble comes when they go to leave they encounter something entirely unexpected and it starts hunting them.

CW: off colour jokes and language you wouldn't do now but aren't mean-spirited

Nanny

Aisha (Anna Diop) takes a job nannying for Rose (Rose Decker) the child of an affluent New York couple Amy (Michelle Monaghan) and Adam (Morgan Spector).

She has left her own son Lamine (Jahleel Kamara) back in Senegal with an aunt.

Aisha bonds well with Rose and things go well but Amy has a high stress job and leans on her increasingly to run the house and often neglecting to pay her for the extra time she puts in.

With the time zone difference and long hours she finds it increasingly hard to keep in touch with Lamine.

No good will come of this.

A Few Good Men

When a US Marine stationed at Guantanamo Bay dies, two fellow Marines are accused of his murder. Suspecting this to be a "Code Red" incident where unofficial violent punishment is doled out within a unit for perceived infractions of 'code' or poor performance Lieutenant Commander Joanne Galloway (Demi Moore) involves herself in the case. Assigned to defend the men is Lieutenant (junior grade) Daniel Kaffee (Tom Cruise).

In investigating the circumstances they butt heads with the Base Commander, Colonel Nathan R. Jessep (Jack Nicholson).

No good will come of this.

Sting

Snarky tween Charlotte (Alyla Browne) lives with her family in an old apartment building owned by her aunt. One day she finds an interesting looking spider which she takes home in a matchbox.

Christening it "Sting" she keeps it in a large jar and feeds it various bugs and is excited to see it growing quickly.

No good will come of this.

CW: not one for arachnophobes, some gooey violence and body horror

Revenge

Jen (Matilda Lutz) and Richard (Kevin Janssens) arrive at his showpiece villa on the edge of the desert for a couple of days of relaxing and fucking. He's married and she knows. Jen isn't a sex worker but understands there will be a degree of quid pro quo from a wealthy man towards a young attractive woman.

Unexpectedly his two friends Stan (Vincent Colombe) and Dimtri (Guillaume Bouchède) arrive early for a hunting trip and that night they all get drunk and party by the pool.

The following morning Jen wakes to find Richard has gone off on an errand somewhere leaving her alone with the pair.

No good will come of this.

CW: rape, bloody violence and injury detail

The Strangers

James (Scott Speedman) and Kristen (Liv Tyler) return to James' father's holiday home late at night after a wedding reception. The two have been arguing and things are fraught.

Unexpectedly there's a knock at the door and a young woman asks "Is Tamara home?". Slightly nonplussed by this James sends her away then drives off to fetch some cigarettes for Kristen.

No good will come of this.

CW: violence and jump scares

Blue Thunder

Frank Murphy (Roy Scheider) and Richard Lymangood (Daniel Stern) fly helicopter surveillance for the Metro Police Dept. With increasing urban violence and the imminent hosting of the Olympics the City begins a trial of an advanced prototype helicopter, nicknamed "Blue Thunder" as a potential tool to deal with this. It's equipped with all manner of high tech surveillance equipment and much to Murphy's disquiet is armed and armoured.

The programme is very much a military one and the military test pilot F.E. Cochrane (Malcolm McDowell) is somebody Murphy served with in Vietnam and has an intense dislike of.

Getting caught up in the tech they've been handed to evaluate Murphy and Lymangood decide to "poke around" and use it to surveil Cochrane.

No good will come of this.

CW: 80s copaganda, objectification of women and a bit of racist stereotyping/language

Imaginary

Artist and author Jess (DeWanda Wise) moves into her childhood home with her family after her father goes into sheltered accommodation due to increasingly unmanageable dementia.

In the basement her stepdaughter Alice (Pyper Braun) finds an old Teddy Bear and christens it Chauncey.

No good will come of this.

Fallen

As infamous serial killer Edgar Reese (Elias Koteas) is being prepared on death row to go to the gas chamber he's in great spirits. Reese is being filmed for a documentary and also meets with the Detective who caught him: John Hobbes (Denzel Washington) to whom he says a bunch of slightly cryptic/unintelligible stuff.

In his last few minutes Reese mocks those around him and launches into a rendition of "Time is on my side" before expiring.

Soon afterwards people start dying in ways uncannily similar to Reese's victims so Hobbes starts digging into the footage from the documentary in case something from that might reveal clues to who his accomplice/copycat is.

No good will come of this.

V/H/S/2

I ended up watching the V/H/S movies completely out of order but I've finally caught up with them all.

Again this one's a mixed bag of shakycam dross only really livened up by Timo Tjahjanto's "Safe Haven" where a group of journalists go to the compound run by a cult intending to confront them but end up experiencing the great day the cult have been waiting for.

Even this segment massively outstays its welcome when general creepiness gives way to absolute mayhem that as much it's bloodily inventive just goes on too long.

Loud, irritating trash 4/10.

The Empty Man

James Lasombra (James Badge Dale) is a former Detective struggling with guilt and grief following the untimely death of his family. When the daughter of his friend Nora (Marin Ireland) goes missing, leaving the enigmatic message "The Empty Man made me do it" written in blood, he feels compelled to look into the urban legend behind this.

No good will come of this.

CW: jump scares, suicide

The Beekeeper

Adam Clay (Jason Statham) is a Beekeeper: tending hives and working in the outbuildings he rents from Eloise Parker (Phylicia Rashad). When Eloise is subjected to an online spearphishing scam she loses everything and when Clay finds out he decides to "follow the money" taking out those who run the immoral stack of shell companies involved in his own brutal way.

Meanwhile Eloise's daughter Verona (Emmy Raver-Lampman), an FBI agent, begins looking into things too and realises the person responsible for the carnage is most likely her mother's tenant.

No good will come of this

CW: brutal violence, injury detail, suicide, all the big swears

Horizon: An American Saga - Part 1

During the US Civil War a new settlement is established, "Horizon" promising rich farmland and freedom. Far removed from the war things are nonetheless not safe: the settlement is a precarious idea more than an actual place. Ideas however are hard to kill and people begin to converge there for all manner of different reasons.

V/H/S Viral

This instalment of the anthology horror franchise has two really good sections with "Dante the Great" being really fun and "Parallel Monsters" a really odd mirror universe tale.

However the linking stuff is a kind of nonsensical Police chase with an ice cream truck that also causes "viral violence" or something harking back to the cursed footage ideas we've had before but it's just laboured beyond belief.

Then there's the SK8R Boys one which is just trash, where did this idea even come from it's like it was created because the director knew people who could skateboard.

Not great 5/10.

V/H/S 99

This not quite as good as V/H/S 85 but sort of OK.

Best of the bunch: "Ozzy's Dungeon" about a kids' TV show, one of those ones involving "gunge", which almost nobody ever wins so they can avoid giving away the prize.

Overall a solid 6/10 but you'd need to be in the mood for silliness as it's perhaps a bit more humorous than the other instalments, especially the final section: " To Hell and back again".

V/H/S 85

OMG this one was actually good.

There's only one noticeably weak section: "God of Death" and the links actually work. These are done like a TV documentary that tells of a doomed experiment with a timescale in the weeks/months where sometimes they've simply chopped up a something that could have been one of the main sections.

It's all still quite schlocky horror but the final section "Dreamkill" could almost be an 80s movie in its own right, 8/10 recommended for horror fans.

V/H/S 94

This is much, much better than the first V/H/S.

Still saddled with the inherent problems of anthologies at least this time we get four quite distinct sections each that work in their own right and the best of them is Timo Tjahjanto's "The Subject" which is a really filthy evil scientist story.

Again the linking items are weak, unable to sustain much of a story and I'd really prefer it to just present the main sections without this but hey that's an anthology thing and they're going with it. Still only really 6/10 though but at least this isn't all letchy like the first.

V/H/S

The first V/H/S anthology is a headache inducing selection of excessive shakycam and glitching video imagery.

I can see what they were trying for but most of the sections were just awful: loud broskis hooting and hollering and letching at women until some slasher movie type violence happens.

Notable for its weirdness is "The sick thing that happened to Emily when she was younger" which I needed to read the synopsis for to actually follow but is again a bit letchy and misogynistic. Least unpleasant is "10/31/99" where a bunch of loud guys (of course) are looking for a Halloween party but end up at something else entirely. The entry from Ti West, "Second Honeymoon", is interesting but far far too long to get to where its going and again very "women are evil".

Don't bother 4/10. Do I bother with any of the others? The shakycam alone is a massive turnoff and I'm usually quite tolerant of it but the whole tone of this was cynically misogynistic.

Eden Lake

Jenny (Kelly Reilly) and Steve (Michael Fassbender) head away for a weekend of wild camping in a secluded location where he's been with his friends before: it's a disused quarry conveniently not far from a village and they went there for dive practice. As naff as the location sounds it's beautiful and has been earmarked for redevelopment into a gated community. Steve has plans to propose to Jenny while there.

Their weekend is disrupted by a crowd of rough teenagers playing loud music and being generally antisocial. Steve decides to confront them about their behaviour.

No good will come of this.

CW: injury detail, torture

Joker

Arthur Fleck (Joaquin Phoenix) makes a precarious living as a clown, taking any jobs an agency will give him. Having struggled all his life with mental illness he attends regular therapy sessions and harbours a desire to be a stand-up comedian but literally never quite manages to get his act together.

Living in a run down apartment where he cares for his ailing mother one of the bright spots is watching Murray Franklin's (Robert DeNiro) TV talk show with her. Arthur idolises Franklin and dreams of one day making an appearance on it.

No good will come of this.

Terrifier

Two young women, Tara (Jenna Kanell) and Dawn (Catherine Corcoran) have been out for drinks on Halloween night. They catch the eye of Art the Clown (David Howard Thornton) who follows them to a late night pizza joint where they stop for a snack and to attempt to sober up before driving home.

No good will come of this.

CW: infamously grim and bloody with buckets of gore

V/H/S Beyond

This is the 7th in the long running horror anthology series and nominally has an alien/space theme but some of the segments completely ignore this.

It's a mixed bag. One of the stories is chopped up and used as linking items but when it gets to the end doesn't really go anywhere. The standouts are "Stowaway" where a lone UFO hunting podcaster tracks down and boards an alien ship and "Dream Girl" where Indian paparazzi try to get candid shots of a starlet.

I've not watched one of these before as I'd expected quite low rent straight to streaming horror and that was pretty much what I got. It's hard to rate anthologies fairly but I think overall this comes in at about 5/10. It suffered from some segments having a weak premise but good execution, vice-versa or just not enough time/money spent on it to fully develop.

Still interesting though despite my low overall rating and I might give other instalments a look.

Mean Girls

Cady (Lindsay Lohan) has spent her childhood in Africa with her Academic parents and when she enrols in High School at 16 it is the first formal schooling of her life.

Completely unprepared for the cliquey teen environment she struggles to make friends and initially befriends the outcasts Janis (Lizzy Caplan) and Damian (Daniel Franzese).

Unexpectedly she is 'noticed' by the school's 'Queen Bee', Regina George (Rachel McAdams) who starts to cultivate her friendship. Janis and Damian warn Cady about how toxic Regina is and the trio decide to use this as an opportunity to take her and the other 'Plastics' down. However to take down a Mean Girl, Cady will have to become one.

No good will come of this.

Lola

1938, sisters Martha (Stefanie Martini) and Thomasina (Emma Appleton) have invented a machine, the titular Lola, that picks up analogue radio and television signals from the future.

Initially they use it to make themselves comfortable through that time traveller's faithful friend: the bookmaker, then begin to explore the art, culture and science yet to come.

Keeping Lola a secret they are unable to actually change anything much beyond their own knowledge, tastes and fortunes. When World War II begins the pair turn to saving lives anonymously, broadcasting as "The Angel of Portobello": warning people of air raids and other calamities in an absolutely prescient manner.

When a young Intelligence officer tracks them down they are persuaded to turn Lola to the war effort.

No good will come of this.

American Gangster

Late 60s New York, Frank Lucas (Denzel Washington) works as driver and gopher for the crime boss of Harlem "Bumpy" Johnson. When "Bumpy" dies suddenly this empire falls apart and Lucas unsuccessfully tries to take the reins.

In a moment of sudden inspiration he hits on the idea to use US involvement in the Vietnam war to forge a direct route into the country for heroin. At enormous personal risk he travels there and deals directly with a producer.

This pays off.

Meanwhile, Detective Richie Roberts (Russell Crowe) is put in charge of a task force to tackle the scourge of drugs on the streets.

CW: graphic images of drug abuse

Ghostbusters: Frozen Empire

When an ancient artefact bursting with psychic power is brought into Ray Stanz' curiosity shop he hands it over to the Ghostbusters without really explaining how dangerous it might be.

No good will come of this.

Asteroid City

The final work by acclaimed playwright Conrad Earp is the subject of a documentary and we see reconstructions of its writing, production and in the main, a mind's eye view of the story imagined in the play itself.

Abigail

Lambert (Giancarlo Esposito) puts together a crew for a kidnap and ransom of a young girl with a potential $50m payoff as the victim's father is a secretive but significantly wealthy figure.

The grab goes well and they hole up at a big old house in a remote area while Lambert goes off to secure the cash.

While waiting, petty rivalries form and silly mistakes are made. Unexpectedly the victim, the titular Abigail (Alisha Weir), sees one of the kidnappers' faces and they consider offing her and doing a bunk.

It's at this point she lets slip her father is Kristof Lazar, a Keyser Soze-esque boogeyman in underworld circles, somebody you absolutely positively do not fuck with.

No good will come of this.

CW: mountains of gore