He's a bitter man and is trying to come to terms with things through therapy with Dr Kline (Renate Reinsve) but with little success.
The electrics in the store (where he also lives) are weird and when he goes down to check the breakers one night he sees light emanating through an impossibly thin discontinuity in an otherwise plain wall. When he starts looking for the source he literally falls through the wall as if it isn't there.
No good will come of this.
CW: weird as fuck
Rudolf's work is stressful: he's a workaholic, occasionally meeting with suppliers and colleagues at the house but when he can he rides his horse and takes the children swimming in the nearby river.
Rudolf is the commandant of the Auschwitz concentration camp.
CW: the Holocaust done matter of fact, off screen but constantly within earshot
Now thirty days later with no sign of them angry parents, including Archer Graff (Josh Brolin), want to know just exactly what the now pariah Miss Gandy was teaching in that class.
Both Gandy and the sole remaining student, Alex have been questioned at length and no explanation, motive or connection has come to light.
Miss Gandy decides to try and investigate herself despite the warnings against this from affable Principal Marcus (Benedict Wong)
CW: bloody violence but very sparingly used
Early every morning he buys coffee out of a vending machine and travels from his tiny home to clean toilets in Tokyo's public parks. He goes about this with great diligence.
At lunchtime Hirayama photographs the light through the trees. He mostly eats from the same few places. Aside from this he reads and listens to music, mostly 60s and 70s Western rock, on cassette. At night he dreams in black and white.
That's it.
He swaps the truffles for supplies with flash gastro-bro Amir (Alex Wolff) in a very one-sided arrangement but doesn't seem to mind being exploited.
One night people break into his cabin, knock him out and steal his pig. The following day Rob contacts Amir and demands to be driven into the city to get his pig back.
No good will come of this.
No good will come of this.
Unexpectedly she comes out of it completely physically unscathed but after she breaks down on the examination table one of the doctors secretly slips her promotional material for The Substance which promises to make a better, younger, version of yourself.
In a tailspin, Elisabeth succumbs to temptation, orders and administers The Substance and gives rise, messily on the bathroom floor, to Sue (Margaret Qualley). The Substance did not overpromise and underdeliver: Sue is perfect. Now the two must 'timeshare' life seven days as one, seven days as the other. There are strict procedures to follow.
No good will come of this.
CW: full frontal nudity, body horror ago-go-go, mutation, objectification of women (but subverting that's the whole point)
When his Imperator Furiosa (Charlize Theron) goes rogue, stealing away his prized breeders, all hell is unleashed to recover them and deliver vengeance.
War Boy Nux (Nicholas Hoult), living out the last of his cancerous half-life, isn't up to joining the pack until hooked up to a blood bag: a nameless feral wanderer (Tom Hardy) snatched up from the wastes.
No good will come of this.
CW: lots of grim, weird post-apocalyptic misogyny and violence
Her boyfriend Beach Ken (Ryan Gosling) wishes she paid him more attention but it's girls night every night.
One day after some intrusive thoughts things start to go wrong. She's informed by Weird Barbie (Kate McKinnon) that out in the real world there's a little girl in trouble who needs her help and she must travel there to help. This comes as something of a shock as Barbie knows nothing about the real world.
However they're not the only ones working there, it's also a source of precious minerals. No good will come of this.
CW: I think this movie is a genuine danger to your IQ
They become aware of a lost Army payroll amounting to $200,000 in gold, an absolute fortune, and set about locating it.
CW: scenes of violence and torture
One man, John Conner, organises a resistance that fights back. At the threshold of victory they discover that Skynet has sent one of its infiltration units: a Terminator T101 (Arnold Schwarzenegger) back in time to kill his mother Sarah (Linda Hamilton) and ensure he is never born.
One more trip is possible and Connor selects volunteer Kyle Reese (Michael Biehn) to follow and protect her.
Reese is outmatched in almost every way by The Terminator but has some critical information it lacks: her full name and knowing her face from an old photograph.
CW: injury detail and DIY surgery, enucleation.
He pines for Gwen Stacey (Hailee Steinfeld) AKA Spider-woman who was one of the multiple Spider-people drawn from different universes and misses the advice from the world weary Peter Parker (Jake Johnson).
In Gwen's universe she too misses Miles but when a villain pops into her reality from elsewhere this unexpectedly offers a chance to be reunited.
No good will come of this.
CW: Flashing imagery
The trip isn't particularly well planned and they spend a chunk of time looking at scenery and larking about before getting on with the task at hand.
At night they can hear ominous booming that might be a thunderstorm and the local wildlife begins to act strangely.
No good will come of this.
CW: strobing lights, shaking camera with disorientating viewpoint, blood, gore, mutilation, psychedelic as fuck
(that's it, there is no complicated premise)
CW: Absolutely mundane horrible onscreen death of people including a baby that is so unglamourised and matter of fact it's more horrific than any horror movie.
At Christmas, one of their ewes gives birth to a very special lamb and the two adopt it as their own.
No good will come of this.
CW: animal births
CW: lots of 1960s racist, sexist, homophobic, xenophobic language but the real horror is the dehumanising effect of war
Lacking human connection, Travis develops a stalkery obsession with political campaigner Betsy (Cybil Shepherd) and amazingly manages to convince her to spend time with him. However she's clearly his cultural and intellectual superior and occasionally mocks him. After a terrible faux-pas she rejects him, setting him on a path to violent retribution.
CW: full spectrum 1970s seediness including paedophilia, racism, sexism, homophobia etc.
Decades have passed, many things have changed, some things haven't and everybody she knew including her daughter has died of old age.
With her report of events dismissed and being made a scapegoat for the financial loss associated with the Nostromo, Ripley ends up doing low status work to scrape a meagre living. The planet where she encountered the Xenomorph is now a small colony and nobody has ever encountered anything like it there.
That is until one day her Company case worker Carter Burke (Paul Reiser) knocks on her door asking if she will join a mission there as a consultant. It seems they've lost contact with the colony...
No good will come of this.
Her husband Trevor (Xander Berkeley) and his colleagues are scornful, considering it "academic Bolivia" but the pair double down and dig into the one supposed killing they can link to a real event, travelling to the scene of the crime.
Here in the "projects" amongst poverty and crime the Candyman is very real. That reality begins to seep into Helen's life.